Maggie Lindemann got this vampire-inspired “BITE ME” tattoo on the side of her middle finger in March 2017. She told Coveteur:
My hand tattoos, like my ‘bite me’ one, are just because I love vampires. I want to get a fang tattoo, but I am just too scared to get a big artwork piece on me because I am so young still.
Julia Michaels has a tattoo on the side of her neck that says “I am ____ .” as a tribute to her journey of self-discovery. Since transitioning for being a behind-the-scenes songwriter to being a performer; she is happier, has fewer panic attacks, and feels that she has become a more authentic version of herself. She told Vevo:
I feel the most like myself that I ever have, now…I feel like every day I’m getting more and more comfortable in my skin and comfortable as an artist.
In July 2017, Lena Dunham got a heart tattoo on her inner right inspired by New York doll artist Greer Lankton. The “Love Me” heart design appears on the chest of one of Lankton’s dolls. Lena showed off the new ink on her instagram, writing:
“So I cry, I pray and I beg… Greer Lankton’s last act on earth was this heart. These words were her mantra.”
Lankton used her own body image issues as the inspiration for her doll sculptures. The artist underwent gender confirmation surgery at the age of 21 and struggled with anorexia throughout her life. The personal nature of her art is what makes it so meaningful to Lena Dunham, who first saw Lankton’s work as a child. She told AnOther:
“I think Greer’s conflicted emotions about transitioning helped make her work just so emotionally resonant. We all feel that sense of being lost in and betrayed by our own bodies. She made it into poetry.”
Zoë Kravitz has a tattoo on her upper right arm which “Mississippi” on one line with a bunch of keyboard symbols “*@!!?*@!” on the next. It represents the song “Mississippi Goddamn” by Nina Simone with the symbols used to censor the expletive word. Zoe is a big fan of Nina’s music and likes to fall asleep to her albums. She told Harper’s Bazaar:
“Even if I don’t go out, I have a hard time falling asleep, so I go to bed around 1 A.M. I listen to a lot of jazz when I’m getting ready for bed: Nina Simone and Billie Holiday.”
The song “Mississippi Goddamn” was released in 1964 at the height of the African-American civil rights movement and speaks about the struggles that black people faced while fighting for equality and how she is sick of waiting for slow change. Although much progress has been made, unfortunately racism is still present today and as a biracial woman Zoë Kravitz has experienced it first-hand. She has spoken openly about her struggles learning to accept her own racial identity and the typecasting that she experiences in Hollywood. She told Allure:
“Racism is very real, and white supremacy is going strong. I am definitely mixed. Both my parents are mixed. I have white family on both sides. The older I get, the more I experience life, I am identifying more and more with being black, and what that means — being more and more proud of that and feeling connected to my roots and my history. It’s been a really interesting journey because I was always one of the only black kids in any of my schools. I went to private schools full of white kids. I think a lot of that made me want to blend in or not be looked at as black. The white kids are always talking about your hair and making you feel weird. I had this struggle of accepting myself as black and loving that part of myself. And now I’m so in love with my culture and so proud to be black. It’s still ongoing, but a big shift has occurred. My dad especially has always been very connected to his history, and it’s important to him that I understand where I come from.”
She hopes she can provide more representation for mixed-race women through her work in the public eye — acting, modeling, and singing — since she herself did not see many mixed-race women in those roles when she was growing up.